Ofelia, John Everett Millais (1851) / Melancholia, Lars Von Trier (2011) pic.twitter.com/Hl1M5i1FTk
— syl (@syylllia) June 20, 2022
Le Fils de l’homme (René Magritte (1964) / Thomas Crown, John Mctiernan (1999) pic.twitter.com/2h5UnBfZ31
— syl (@syylllia) June 20, 2022
Cinéma à New York, Edward Hopper (1939) / Shirley, visions of reality, Gustav Deutsch (2013) pic.twitter.com/Y5Chone2yy
— syl (@syylllia) June 20, 2022
Les mystères de l’horizon, René Magritte (1955) / Trainspotting, Danny Boyle (1996) pic.twitter.com/T9xTAxU65P
— syl (@syylllia) June 20, 2022
Nighthawks, Edward Hopper (1942) / The end of violence, Wim Wenders (1997) pic.twitter.com/FnDICveUAr
— syl (@syylllia) June 20, 2022
Frieda Kahlo et Diego Riviera, Frida Kahlo (1931) / Frida, Julie Taymor (2002) pic.twitter.com/Wze8J6sS24
— syl (@syylllia) June 20, 2022
Prisonniers en exercice, Vincent Van Gogh (1890) / Orange mécanique, Stanley Kubrick (1971) pic.twitter.com/XsoP3iZ7Q0
— syl (@syylllia) June 20, 2022
Identical Twins, Diane Arbus (1967) / The Shining, Stanley Kubrick (1980) pic.twitter.com/EFAgEPKt73
— syl (@syylllia) June 20, 2022
Les Hasards heureux de l’Escarpolette, Jean-Honoré Fragonard (1767) / Raiponce (2010) (oui celle-ci, c’est juste pour ma satisfaction personnelle) pic.twitter.com/ZlqRsRQP8c
— syl (@syylllia) June 20, 2022
The Lighthouse, by Robert Eggers (2019) / Hypnosis, by Sascha Schneider (1904) pic.twitter.com/jMRC2lsSoD
— syl (@syylllia) June 21, 2022